Rita and me on the balcony of her apartment in San Francisco with a drop-dead view of the city.
Lonnie and me on Rita & Riccardo's balcony overlooking San Francisco. Lonnie is my longest friendship.
We bicker and insult each other, as old friends do. Can't imagine life without him.
Saturday night we drove to San Rafael in the heart of Marin for dinner with my baby brother, Kevin and his wife Diane. They are also in good shape, having recently climbed out of a tough economic period. Kevin has been selling industrial tools for over 30 years, and business has been terrible of late. But it has improved, they got a tax windfall and Diane is working steadily, which has taken the pressure off. So it was a relaxed evening we shared at the Seafood Peddler, a large, family style restaurant with okay food. It was the company that was important. While I have had difficult times with my other two brothers, Kevin and I never seem to have any serious issues. Our interests are poles apart--he is an avid fisherman, loves watching TV and never cracks a book. But we've always gotten along just fine.
On Sunday morning on our way to Napa, we stopped in Mill Valley for a visit with Joan and Fritz Hottenstein and their gorgeous daughters, Lily and Quinn. They have been doing a lot of renovating of their 20s-style home, with new a new deck, expansion of a small room downstairs as well as some improvements in their living room (a updated fireplace) and kitchen (a built-in bench and moving some window openings around for safety). Joan and I were colleagues in my last corporate publishing job and she's like a kid sister to me. She's married to a wonderful man and their daughters keep us endlessly amused--particularly Quinn, whom we all liken to a hurricane, so intense is her personality and non-stop energy.
In Napa, Terri, whose husband is German, created an Oktoberfest reception in her brother's back yard. Terri greeted us in a dirndl and we entered into the back yard where tents were set up with tables for guests. There was a small group of musicians playing music. Opera is Terri and Martin's passion, and the Wagner Society was there to perform an amusing musical number in tribute to the couple, manned no less by Marie Plette--a wonderful American soprano, who is a friend of Terri's. There was beer and house-made Pinot Noir and Syrah, from Terri's brother's vineyards. There were four types of beer, and a German style lunch of grilled sausages, braised red cabbages, spaetzel, potato salad, and pickles. Terri and her sisters also baked large sheets of cakes with fruit and almonds. It was a lovely way to celebrate this happy event.
On Monday I enjoyed a leisurely morning, packing for the return trip, and stopping off to have a late lunch with Bernadette before heading to the airport. As with our arrival, weather and air traffic delayed our departure. We reached Portland at about 9:15 PM, and it was raining here (had been since Saturday).
My friend, Sara, hosted Beau over the weekend and brought him up to her mother's country home.
You can see Beau's working on buttering up Sara, who is not at all immune to his charms.
He thinks he is a baby. Below he is posing--the shameless little ham!
I found myself enjoying myself in San Francisco for the first time in a long while. I've visited there regularly over the years, but the city is so changed from my youth. It's far more crowded, expensive, and seems much more like a big Eastern city rather than the West Coast jewel I once thought it to be. Maybe it is because I find myself drawn to the more leisurely and less flashier pace of Portland, which often reminds me of the San Francisco of my youth.
I'll always enjoy spending time with Lonnie and it was fun to work his nerves as I tried to navigate the traffic there.
Pioneer Square on Thursday, October 6 late afternoon in downtown Portland
Portland police keeping order. The march was non-violent and well-organized. There were no arrests.
A particularly eloquent protester with her father.
My fall garden. My cherry tomatoes are ripening as we near the mid-October mark. Rains this week delayed things, but every day I get a bowl-full like this--sweet and tart at the same time.
For the past several weeks, this is my daily haul of cherry tomatoes from my vegetable garden.
My New Guinea Impatience has suffered through a hot August. I didn't realize they don't like a lot of sun, and to fix this, I put the grill right in front of them, blocking the sunlight. It worked like a charm. They have been blooming their heads off for weeks now.
"The Teatro Real of Madrid is offering that opportunity right now with its production of Richard Strauss's one-act tragedy "Elektra," starring the American soprano Christine Goerke in one of the most daunting roles ever written.
Goerke, heard at her third performance of the run on Thursday night, is simply thrilling as the vengeance-obsessed daughter of the slain Agamemnon and his murderous wife, Klytemnestra.
Her supple voice combines a warm, velvety lower and middle register with a shining top that rises easily to high C. Her sound, while not huge, has no difficulty penetrating the 110-piece orchestra - an ensemble so big the theater had to remove the first two rows of seats for this production.
Above all, Goerke brings a vocal bloom to the role that few sopranos today could match. That quality paid off especially in the gorgeous music that follows her recognition of her long-lost brother Orest, a passage she sings with melting tenderness, complete with ravishing, soft high notes.
Her acting, which seemed slightly self-conscious at first, gained strength through the nearly two-hour-long performance until she became completely absorbed in the conflicting emotions of rage, despair and, finally, frenzied jubilation that ends in her death.
Goerke, who is alternating with veteran Elektra Deborah Polaski in the Madrid production that runs through Oct. 15, has been moving gradually into dramatic soprano territory. She has previously sung the lighter role of Elektra's sister, Chrysothemis, in this opera, and has also performed in operas by Mozart, Handel and Gluck.
Of course, it remains to be seen whether she will be able to preserve her freshness after repeated performances, or whether she will develop the worn, strident top one often hears in other Elektras. Much is riding on it, for Goerke has plans to add some other famously difficult roles in coming years, including the Dyer's Wife in Strauss's "Die Frau ohne Schatten" and Bruennhilde in Wagner's "Ring" cycle."
Christine Goerke
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